{"created":"2023-05-15T13:15:36.911003+00:00","id":1993,"links":{},"metadata":{"_buckets":{"deposit":"2100ff7d-5d5f-40fe-a447-0d66370ab1de"},"_deposit":{"created_by":2,"id":"1993","owners":[2],"pid":{"revision_id":0,"type":"depid","value":"1993"},"status":"published"},"_oai":{"id":"oai:bunka.repo.nii.ac.jp:00001993","sets":["10:177:183:186"]},"author_link":["7538","7536","7542","7546","7548","7544","7550","7537","7540","7547","7549","7545","7541","7543","7539"],"item_8_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Modernism and Fashion in Japan 1910s -1930s"}]},"item_8_alternative_title_20":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"キンダイ ニホン モダニズム ゲイジュツ ト ファッション ニ ツイテノ ケンキュウ : 1910ネンダイ 1930ネンダイ オ チュウシン ニ"}]},"item_8_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2013-03","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"[9]","bibliographicPageStart":"[1]","bibliographicVolumeNumber":"2012","bibliographic_titles":[{"bibliographic_title":"服飾文化共同研究最終報告"}]}]},"item_8_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"The purpose of this joint research is to examine the image of “Artist” in modern Japan, an image which was different from traditional literati and imported from West just like the Art itself.  Late Meiji and early Taisho period saw a surge of modernism in art and literature in Japan and special attention is paid to the significance of artists’ fashion including “nude”.  Major modernists in the 1920s and the 1930s such as Ryusei Kishida, Kaita Murayama, Kyojiro Hagiwara, Tomoyoshi Murayama and so on were multi-talented and transcended traditional boundaries of genres of arts and some of them attracted public attention for their fashion and thus were widely publicized as a fashion leader.  These no doubt contributed to the formation of the general image of “Artist”.  Our purpose is to investigate modern fashion in terms of general art(s) history, taking into consideration western original models and its transformations in modern Japan, its reception of general public and so on. Though not every aim of this joint research set initially up has attained, our researches for them have been steadily done.  It is noteworthy that taking up as a subject of joint research work “separate” phenomena hitherto seen in histories of art and literature, each member of this research group and participants in its seminar as well came to grasp social and historical significances of close relations between fashion and creative activities of artists and literary figures. The most important and common view we shared as a conclusive understanding in our researches should be summarized: as Prof. Toby Slade pointed out at one of our seminars, fashion in modern Japan was as an aesthetic and social phenomenon or cultural institution rather than a practical utilitarian tool of life.  That is the reason why we have discussed clothes of Artist (among others) as a way of artistic expression with social significance.  The other aspect we should like to emphasize in our joint research is that we have considered the fashion in modern Japan in terms of viewpoints from within and without, that is, on and/or from Europe and America and pre-war Asian colonies. Here are our main subjects that members of this joint research have taken up respectively: 1) Tomoyoshi Murayama in “Bubikopf” (okappa or bobbed hair style) wore a knit cap and a Rubashka or Russian blouse and these made Murayama famous as an artist and a fashion leader.  2) Women moved in the society with bobbed hair and in western clothes when female writers in the early Showa era such as Chiyo Uno and Fusa Sasaki were cutting-edge professional women.  3) Leftist painters in 1920s painted workers in so-called “Nappa-fuku” or blue work clothe and they themselves wore after factory workers and around 1930 young people such as “Marx Boy” and “Engels Girl” in blue-color clothe.","subitem_description_type":"Abstract"},{"subitem_description":"本研究は明治末・大正初頭以後のモダニズム芸術家のファッションが帯びた芸術的意義を検討することを目的としている。とくに昭和戦前期までの時代に着目するのはモダニズムの洗礼を受けた作家にはマルチな才能を、ジャンルを横断して発揮するものが少なくなかったからである。「ファッション・リーダー」としての芸術活動のスタイルが一般の「芸術家像」の形成のみならず、時代の突端に立つ者というイメージの形成に大きく関与したと考えられる。初期の目標がすべて達成したとはいいがたいが、着実に研究課題を探求した。特筆したいことはこれまで美術や文学で「孤立」した現象とされたことが共同研究のテーマとして取り上げたことにより、共同研究員や研究会参加者によって、ファッションと美術家や文学者により創作活動との緊密な関係の社会的、歴史的な意義を認識するようになったことである。さらに共同研究の成果として確認できたことを要約するならば、トビー・スレイド氏によって指摘されたことであるが、日本近代における、実用的な機能に限定されない、「美的」な社会的な存在、さらにいえば制度としてのファッションという視点である。美術家（に限られないが）の衣服が美的な表現として、そしてまた社会的な意義のあるものとして議論されることが可能となったといえる。いまひとつ、本研究は日本近代を対象として積極的に国外（欧米、そして旧植民地）への／からの視線を考慮して進めたことも強調しておきたい。","subitem_description_type":"Abstract"}]},"item_8_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{}],"names":[{"name":"オムカ, トシハル"}]},{"nameIdentifiers":[{}],"names":[{"name":"タキザワ, キョウジ"}]},{"nameIdentifiers":[{}],"names":[{"name":"スズキ, タカネ"}]},{"nameIdentifiers":[{}],"names":[{"name":"キタ, タカオミ"}]},{"nameIdentifiers":[{}],"names":[{"name":"エグチ, ミナミ"}]}]},"item_8_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{}],"names":[{"name":"Omuka, Toshiharu"}]},{"nameIdentifiers":[{}],"names":[{"name":"Takizawa, Kyoji"}]},{"nameIdentifiers":[{}],"names":[{"name":"Suzuki, Takane"}]},{"nameIdentifiers":[{}],"names":[{"name":"Kita, Takaomi"}]},{"nameIdentifiers":[{}],"names":[{"name":"Eguchi, Minami"}]}]},"item_8_subject_17":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"383.1","subitem_subject_scheme":"NDC"}]},"item_8_text_39":{"attribute_name":"その他の寄与者","attribute_value_mlt":[{"subitem_text_value":"筑波大学芸術系, 服飾文化共同研究拠点、文化ファッション研究機構、文化学園大学"},{"subitem_text_value":"町田市立国際版画美術館, 服飾文化共同研究拠点、文化ファッション研究機構、文化学園大学"},{"subitem_text_value":"東邦大学理学部, 服飾文化共同研究拠点、文化ファッション研究機構、文化学園大学"},{"subitem_text_value":"早稲田大学坪内博士演劇記念博物館, 服飾文化共同研究拠点、文化ファッション研究機構、文化学園大学"},{"subitem_text_value":"筑波大学大学院人間総合科学研究科博士後期課程, 服飾文化共同研究拠点、文化ファッション研究機構、文化学園大学"},{"subitem_text_value":"Faculty of Art & Design, University of Tsukuba, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Gakuen University"},{"subitem_text_value":"Machida City Museum of Graphic Arts, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Gakuen University"},{"subitem_text_value":"Faculty of Science, Toho University, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Gakuen University"},{"subitem_text_value":"Tsubouchi Memorial Theatre Museum, Waseda University, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Gakuen University"},{"subitem_text_value":"Doctoral Program, Graduate School of Comprehensive Sciences, University of Tsukuba, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Gakuen University"}]},"item_8_text_6":{"attribute_name":"引用","attribute_value_mlt":[{"subitem_text_value":"服飾文化共同研究最終報告 2012. (2013-03) pp. [1]-[9]"}]},"item_8_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"五十殿, 利治"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"滝沢, 恭司"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"鈴木, 貴宇"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"喜夛, 孝臣"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"江口, みなみ"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-06-23"}],"displaytype":"detail","filename":"011080212_01.pdf","filesize":[{"value":"301.0 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"011080212_01.pdf","url":"https://bunka.repo.nii.ac.jp/record/1993/files/011080212_01.pdf"},"version_id":"62e55e66-3f97-4a9c-b8f1-81a43c274d03"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"research report","resourceuri":"http://purl.org/coar/resource_type/c_18ws"}]},"item_title":"近代日本モダニズム芸術とファッションについての研究 : 1910年代－1930年代を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"近代日本モダニズム芸術とファッションについての研究 : 1910年代－1930年代を中心に"}]},"item_type_id":"8","owner":"2","path":["186"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-06-20"},"publish_date":"2013-06-20","publish_status":"0","recid":"1993","relation_version_is_last":true,"title":["近代日本モダニズム芸術とファッションについての研究 : 1910年代－1930年代を中心に"],"weko_creator_id":"2","weko_shared_id":-1},"updated":"2023-05-15T14:14:56.602570+00:00"}