{"created":"2023-05-15T13:15:34.721201+00:00","id":1958,"links":{},"metadata":{"_buckets":{"deposit":"63075d7d-20b4-439d-baa4-f399c5eca9e0"},"_deposit":{"created_by":2,"id":"1958","owners":[2],"pid":{"revision_id":0,"type":"depid","value":"1958"},"status":"published"},"_oai":{"id":"oai:bunka.repo.nii.ac.jp:00001958","sets":["10:177:183:184"]},"author_link":["7246","7248","7249","7245","7244","7247","7242","7241","7243"],"item_8_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Gender Studies in the historic phenomenon of Western costume"}]},"item_8_alternative_title_20":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"セイヨウ フクショク ノ シテキ ジショウ ニ ヨル ジェンダーロン"}]},"item_8_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"44","bibliographicPageStart":"37","bibliographicVolumeNumber":"2010","bibliographic_titles":[{"bibliographic_title":"服飾文化共同研究最終報告"}]}]},"item_8_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This joint research’s primary objective is to consider the formation of awareness of Gender in the European costume during 14th-19th Century. We are investigating the various phenomena of the European clothing culture: for example, the theory of color symbolism during 15th-16th Century Italy, the representation of Italian Christian figures, and the cross-dressing in the Modern French literature. We have taken notice of the color of the clothes of Christine de Pizan, (1365-1430ca.), the first professional authoress in Europe. In the miniatures illustrated by the Cité des Dames Master she always wore a blue cotardie and a double-horned headdress covered with a white veil. There is no doubt that she hoped to represent herself with this costume as Dufresne and Muzzarelli pointed out. In Le Livre des Trois Vertus ou Le Trésor de la Cité des Dames (1405), a didactic work for women, Christine recommends dress suitable for each level on the social hierarchy and warns against rich and lavish garments. Her simple cotardie without superfluous ornamentation represents exactly her view on dress.  At the same time, in Cent Ballades d’amant et de dame (1407-1410) and in Le Dit de la Rose (1402) she suggests that bleu (o azur) signifies Loyalty.  When she had the illuminator illustrate her own dress, she was sure to keep this popular medieval symbolism in mind. This proponent of women and excellent romantic poet desired to produce a modest image of herself acceptable to court society by a simple cotardie, a simple veil, and the color blue that signifies Loyalty. In the study on the cross-dressing in the Renaissance Christian image culture, we examine a very strange phenomenon as Christ’s gender-shift. In late Medieval and Renaissance culture, some (male) Christ images with a long female tunic inspired popular imagination to be transformed into female saints or unidentified androgynous figures. In particular, we focus on an analysis of images of St. Wilgefortis (feminized bearded crucifixes also known by a variety of other names including “Kümmernis” and “Uncumber”) derived from an early Medieval Italian statue “Volto Santo”, and various images of female saints and androgynous figures derived from “Christ of Sunday”. With emphasis on art as situated in the context of religion, spirituality, mythology, popular literature and gender relations, we try to interpret the memory of image from image-anthropological point of view.\nAnd further, we consider why women cross-dress and the symbolic meaning of cross-dressing as carried out by women, specifically George Sand, a female writer of Romantic literature, and female supporters of the early socialism of Saint-Simonism. The Sand’s cross-dressing and the clothing worn by female Saint-Simonians are products of society or culture, and means for making a living as a woman, refusing the various social restrictions which women were forced in the 1830’s","subitem_description_type":"Abstract"},{"subitem_description":"主として15-16世紀のイタリアにおける色彩象徴論、イタリアのキリスト教聖像、19世紀フランスにおける異性装に関する調査をおこなった。まずは、執筆によって生計をたてた初の女性であるクリスティーヌ・ド・ピザン（1365-1430年頃）の服飾観をとりあげた。「『女の都』の画家」の手がけた写本挿絵では、彼女はつねに青い服（コタルディ）を身につけ、角状のかぶりものの上に白いヴェールをつけている。デュフレーヌやムッツァレッリがすでに指摘しているとおり、この装いは彼女自身がそのように描かれることを望んだものであるのは疑いない。クリスティーヌは女性向け教訓書『三つの徳の書、あるいは女の都の宝典』（1405年）において、身分にあった服装を勧め、華美な装いを戒めている。彼女が身につけるのが余分な装飾のないコタルディであるというのも、そのような意識のあらわれであるといえよう。また彼女は、『恋人と奥方の百のバラード』（1407-1410年）や『薔薇の物語』（1402年）のなかで、青に「誠実」というシンボリズムがあることを詠っているが、己の姿を描かせるさいに、中世においてポピュラーなものであったこのシンボリズムが念頭にあったことは間違いない。女性の擁護者にして恋愛詩の達人であった彼女は、シンプルなコタルディ、同じくシンプルな白いヴェール、そして誠実さをあらわす青で、 宮廷社会に受け入れられる謙虚な自分を演出しようとしたのである。ルネサンスのキリスト教イメージ文化における異性装研究においては、キリストのジェンダー・シフトという特異な現象を検証した。中世後期からルネサンス期にかけて、女性用の長衣を身に付けた（男性の）キリスト像が民衆の想像力をかきたて、女性の聖人やアイデンティティ不詳の両性具有像へと変容されるという事例がみられた。なかでも注目したのは、初期中世のイタリアの木製磔刑像《ヴォルト・サント》から派生した《ウィルゲフォルティス》（「キュムメルニス」や「オントコマー」など他のさまざまな名称でも知られる女性の有髭磔刑像）と、《主日のキリスト》から派生したさまざまな聖女像や両性具有像である。芸術を、宗教、思想、神学、文学、ジェンダーというコンテクストのなかで考察することで、イメージ人類学的視座から、イメージの記憶をめぐる問題を解釈するべく試みた。さらに、フランスにおけるフェミニズムの黎明期を生きたとされる女性たち、すなわち、ロマン主義文学を代表する女流作家であるジョルジュ・サンドと、初期社会主義思想であるサン＝シモン主義を支持した女性たちとを事例にして、19世紀フランスにおける女性の異性装を取り巻く個人的な意識は勿論、社会的な意識や背景を考察した。そしてサンドが行った男装も、女性サン=シモン主義者たちがズボン状のペチコートを着用する行為も、個人的な性向に基づく行為である以上に、社会や文化の産物であり、女性たちが当時の社会によって強いられる制約を拒絶しながら、生きていくための手段であったことを明らかにした。","subitem_description_type":"Abstract"}]},"item_8_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{}],"names":[{"name":"イトウ, アキ"}]},{"nameIdentifiers":[{}],"names":[{"name":"ミズノ, チヨリ"}]},{"nameIdentifiers":[{}],"names":[{"name":"ニイミ, イホ"}]}]},"item_8_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{}],"names":[{"name":"Ito, Aki"}]},{"nameIdentifiers":[{}],"names":[{"name":"Mizuno, Chiyori"}]},{"nameIdentifiers":[{}],"names":[{"name":"Niimi, Iho"}]}]},"item_8_subject_17":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"383.1","subitem_subject_scheme":"NDC"}]},"item_8_text_39":{"attribute_name":"その他の寄与者","attribute_value_mlt":[{"subitem_text_value":"国際基督教大学教養学部, 服飾文化共同研究拠点、文化ファッション研究機構、文化女子大学"},{"subitem_text_value":"京都造形芸術大学芸術学部, 服飾文化共同研究拠点、文化ファッション研究機構、文化女子大学"},{"subitem_text_value":"お茶の水女子大学生活科学部, 服飾文化共同研究拠点、文化ファッション研究機構、文化女子大学"},{"subitem_text_value":"Faculty of Liberal Arts, International Christian University, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Women's University"},{"subitem_text_value":"Department of Art and Culture, Kyoto University of Art and Design, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Women's University"},{"subitem_text_value":"Faculty of Human Life and Environmental Sciences, Ochanomizu University, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Women's University"}]},"item_8_text_6":{"attribute_name":"引用","attribute_value_mlt":[{"subitem_text_value":"服飾文化共同研究最終報告 2010 （2011-03） pp.37-44"}]},"item_8_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"伊藤, 亜紀"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"水野, 千依"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"新實, 五穂"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-06-23"}],"displaytype":"detail","filename":"011080210_05.pdf","filesize":[{"value":"347.8 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"011080210_05.pdf","url":"https://bunka.repo.nii.ac.jp/record/1958/files/011080210_05.pdf"},"version_id":"f21a4d18-4e1e-4afa-a522-8b0330dda55b"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"research report","resourceuri":"http://purl.org/coar/resource_type/c_18ws"}]},"item_title":"西洋服飾の史的事象によるジェンダー論","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"西洋服飾の史的事象によるジェンダー論"}]},"item_type_id":"8","owner":"2","path":["184"],"pubdate":{"attribute_name":"公開日","attribute_value":"2011-10-22"},"publish_date":"2011-10-22","publish_status":"0","recid":"1958","relation_version_is_last":true,"title":["西洋服飾の史的事象によるジェンダー論"],"weko_creator_id":"2","weko_shared_id":2},"updated":"2023-05-15T13:51:00.771019+00:00"}