@techreport{oai:bunka.repo.nii.ac.jp:00001948,
 author = {田村, 照子 and 稲葉, 敦 and 山口, 庸子 and 佐藤, 真理子},
 month = {Mar},
 note = {We have looked at approaches to fashion and environmental problems in modern Japan.  We presented efforts pertaining to energy-saving fashion and increased efficiency/lower environmental burden in production systems through LCA for apparel products.  We also described the special qualities of environment-friendly culture as seen in the “kimono culture” of Japan’s Edo Period.  First, from the standpoint of production, there is the question of how to promote the development and production of high-quality fashions that capture people’s hearts in an environment-friendly manner.  Here, LCA is shown to be an effective tool for research toward answering this question.  From the standpoint of society, the current fashion dress code that originates in Europe is not always appropriate for the climates of Asia and Africa, particularly as global warming progresses.  The use of clothing that is adaptable to climates will be essential to minimizing the amount of energy needed for air conditioning while also providing consumers with fashions that are healthy and comfortable.  To succeed, it will be necessary to develop materials and forms that are appropriate for climates found around the world, and the dress codes of individual regions and countries are an aspect that deserves consideration here.  We believe Japan’s Cool Biz campaign is an approach that can make a difference in this respect.  Finally, from the standpoint of consumption, we reemphasize Japan’s “kimono culture,” in which clothing was valued right up to the time it was finally turned into ash. When we consider the relationship between fashion and environmental burden, we find that certain truths are unmistakable.  First, currently available resources must be used wisely.  To achieve this, the short cycle flow for commercial fashions must be reconsidered, and truly comfortable fashions must be cherished and worn continuously to the end of their useful lives through reuse and recycling.  And these steps must be tied to lower environmental burden in all processes, ranging from the procurement of resources to their disposal, 現代日本におけるファッションと環境問題のあり方において，省エネルギー対応ファッションへの取り組み，LCAによるアパレル製品の環境負荷評価について検討し，日本の江戸時代の“きもの文化”に見られる低環境負荷型文化の特質を論じた．生産視点からは，良質で人間の心を魅了するファッションの開発・生産を，いかに低環境負荷型で推進するかが課題であり，それにはLCAが有効な研究手法であることが示された．社会的視点からは，温暖化が進行する中で，ヨーロッパを発信源とする現代ファッションのドレスコードは，アジア，アフリカ等の地域・気候には必ずしも適していないことが示された．空調のためのエネルギー消費を最小限に抑制し，しかも健康で快適なファッションを楽しむためには，衣服による気候適応が不可欠である．そのためには各地域の気候・風土に適した素材や形態の開発が今後の課題であり，各地域や各国独自のドレスコードがあっても良いのではないかと考えられる．消費者視点からは，着物を最後の灰に至るまで大切に使いきった日本の“きもの文化”再考を強調するものである．ファッションと環境負荷との関係を考える際，まず，現在ある資源を大切に使うこと，そのためには商業的なファッションの短サイクル化の流れを再考し，リユース，リサイクルによって本当に心地よいファッションを大切に着続け，最後まで使い切ること，これこそ資源の調達から廃棄に至る総ての過程での環境負荷低減につながることを確信するものである．, Article},
 title = {低環境負荷型ファッション文化に関する研究},
 year = {2011}
}