@techreport{oai:bunka.repo.nii.ac.jp:00001924,
 author = {大石, 和欣 and 菅, 靖子 and 眞嶋, 史叙},
 month = {Mar},
 note = {General outline: As part of our proposed research on the rise of new fashion consciousness among women in the framework of consumption culture, this academic year was devoted mostly to basic investigation into fashion periodicals and catalogues and the distribution data of clothes in late nineteenth-century and early twentieth-century Britain. The research was conducted from three different viewpoints, namely from cultural history, design history, and economic history. Outcome and observations: The Women’s World edited by Oscar Wilde, periodicals and magazine edited by C. S. Peel, and the popular Victorian magazine Punch, have been the main focuses of our research. Oishi has been interpreting the representations of Haute Couture female fashions in them in contrast to the popular perception of ready-made clothes for women as represented in Punch. Suga, on the other hand, pays attention to the patterns attached to these fashion magazines, whose designs functioned as a bridge between Haute Couture fashions and popular ready-made clothes. C. S. Peel’s ideas and discourses indicate a crucial change of fashion consciousness among late-nineteenth-century women. Majima examined this change from a new viewpoint of economic history. She investigated Drapers Record filed in British libraries and clarified the process through which journalism in general, including magazines and periodicals, made a huge impact upon the distribution and consumption of clothes in the late-nineteenth and early-twentieth centuries, The results of the above researches and investigations will be presented at an international conference to be held at Gakushuin University in September 2011},
 title = {近代イギリスにおける消費文化としての服飾と女性 : ファッション雑誌・カタログから浮かび上がる女性の社会意識の考察},
 year = {2011}
}