@techreport{oai:bunka.repo.nii.ac.jp:00001869,
 author = {植木, 淑子 and 長崎, 巌 and 福田, 博美 and 両角, かほる and 菊池, 理予},
 month = {Jun},
 note = {It had been believed that there were a number of similar properties among kimono design drawings by the painters of Maruyama School. Most of the kosode, once owned by the Mitsui family, shows such similarities. For example, rinzu regarded as silk satin, was identified as the most used fabric types in the kosode. Embroidery and tie-dye were especially applied to the kosode for prosperous merchants in the late Edo period. It was also found that patterns extend from ushiro‐migoro (back panel) to mae‐migoro (front panel) of the kosode. The motif assigned to the Mitsui Family`s kosodes was rather similar to that depicted on the kosodes designed for court nobles and warrior class, if compared to the motif expressed on the kosode worn by townspeople. As the continuation of the present research, the design drawings and the costumes of Mitsui family will be examined further. Then, the relationship between Kimono and the design drawings can be established. Additionally, design drawings will be used to understand the procedure for making kosode, with reference to Kimono fabrics.},
 title = {三井家伝来小袖服飾類に関する服飾文化史的研究 : 現存遺品と円山派衣裳下絵との関係を中心に},
 year = {2009}
}