@article{oai:bunka.repo.nii.ac.jp:00000170,
 author = {永富, 彰子 and 寺嶋, 朋子},
 issue = {1},
 journal = {服飾文化学会誌},
 month = {Feb},
 note = {To understand the intent, construction and sewing methods of haute couture stage costumes, a replica of a Nina Ricci evening dress in the Bunka Gakuen Costume Museum was made. The results are as follows. The simple black dress with a crystal-beaded bust used seven layers, including beaded embroidery. Four types of patterns were required. Twelves bones on the inside provided support. The weight and amount of beads required an embroidery stitching method that kept the silk organdy from puckering. Finishing’s for the bodice, fasteners and hem were predominantly hand sewn. In particular, the blind stitch required skill. Overall, haute couture sewing techniques require not only types of sewing, but appropriate needle and hand control for the design and material.},
 pages = {75--85},
 title = {1970年代のオートクチュール縫製技法を観る : ニナ・リッチの実物資料と再現},
 volume = {6},
 year = {2013}
}