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        <identifier>oai:bunka.repo.nii.ac.jp:00001877</identifier>
        <datestamp>2023-05-15T13:52:51Z</datestamp>
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          <dc:title>On the influence of the Manufacturing Process to the Product Design in "prêt-á-porter"</dc:title>
          <dc:title>プレタポルテ ノ セイゾウ コウテイ ガ セイヒン セッケイ ニ オヨボス エイキョウ ニ ツイテ</dc:title>
          <dc:title>プレタポルテの製造工程が製品設計に及ぼす影響について</dc:title>
          <dc:creator>大谷, 毅</dc:creator>
          <dc:creator>池田, 和子</dc:creator>
          <dc:creator>伊崎, 晴子</dc:creator>
          <dc:creator>正田, 康博</dc:creator>
          <dc:creator>森川, 英明</dc:creator>
          <dc:subject>589.2</dc:subject>
          <dc:description>For the purpose of this paper, " prêt-á-porter " can be defined as Ready-to-Wear for high-end Since the age of Haute Couture, ａ creative director in Maison has taken full responsibility for his products. The product design has been arbitrarily executed by his discretion. However, "prêt-á-porter " business made the external apparel manufacturer engage in the consignment producing. A certain apparel manufacturer employs a superior second design function and its original skill. Since the creative director is mainly responsible for the production of garments, the design may partially be altered by the process capacity. Therefore, apparel manufacturer are not subordinate of Maison any longer.</dc:description>
          <dc:description>research report</dc:description>
          <dc:date>2009-06-26</dc:date>
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          <dc:identifier>服飾文化共同研究報告</dc:identifier>
          <dc:identifier>2008</dc:identifier>
          <dc:identifier>44</dc:identifier>
          <dc:identifier>50</dc:identifier>
          <dc:identifier>https://bunka.repo.nii.ac.jp/record/1877/files/011080108_15.pdf</dc:identifier>
          <dc:identifier>http://hdl.handle.net/10457/877</dc:identifier>
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          <dc:language>jpn</dc:language>
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