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プレタポルテの製造工程が製品設計に及ぼす影響について
http://hdl.handle.net/10457/877
http://hdl.handle.net/10457/877450ecf23-7f6c-4514-aeb2-d7489d68e342
名前 / ファイル | ライセンス | アクション |
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011080108_15.pdf (581.1 kB)
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Item type | 研究報告書 / Research Paper(1) | |||||
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公開日 | 2010-08-26 | |||||
タイトル | ||||||
タイトル | プレタポルテの製造工程が製品設計に及ぼす影響について | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_18ws | |||||
資源タイプ | research report | |||||
著者 |
大谷, 毅
× 大谷, 毅× 池田, 和子× 伊崎, 晴子× 正田, 康博× 森川, 英明 |
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著者(ヨミ) | ||||||
姓名 | オオタニ, ツヨシ | |||||
著者(ヨミ) | ||||||
姓名 | イケダ, カズコ | |||||
著者(ヨミ) | ||||||
姓名 | イサキ, ハルコ | |||||
著者(ヨミ) | ||||||
姓名 | ショウダ, ヤスハル | |||||
著者(ヨミ) | ||||||
姓名 | モリカワ, ヒデアキ | |||||
著者別名 | ||||||
姓名 | Otani, Tsuyoshi | |||||
著者別名 | ||||||
姓名 | Ikeda, Kazuko | |||||
著者別名 | ||||||
姓名 | Isaki, Haruko | |||||
著者別名 | ||||||
姓名 | Syoda, Yasuhiro | |||||
著者別名 | ||||||
姓名 | Morikawa, Hideaki | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | For the purpose of this paper, " prêt-á-porter " can be defined as Ready-to-Wear for high-end Since the age of Haute Couture, a creative director in Maison has taken full responsibility for his products. The product design has been arbitrarily executed by his discretion. However, "prêt-á-porter " business made the external apparel manufacturer engage in the consignment producing. A certain apparel manufacturer employs a superior second design function and its original skill. Since the creative director is mainly responsible for the production of garments, the design may partially be altered by the process capacity. Therefore, apparel manufacturer are not subordinate of Maison any longer. | |||||
書誌情報 |
服飾文化共同研究報告 巻 2008, p. 44-50, 発行日 2009-06-26 |
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著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
日本十進分類法 | ||||||
主題Scheme | NDC | |||||
主題 | 589.2 | |||||
その他のタイトル | ||||||
その他のタイトル | On the influence of the Manufacturing Process to the Product Design in "prêt-á-porter" | |||||
タイトル(ヨミ) | ||||||
その他のタイトル | プレタポルテ ノ セイゾウ コウテイ ガ セイヒン セッケイ ニ オヨボス エイキョウ ニ ツイテ | |||||
その他の寄与者 | ||||||
信州大学繊維学部, 服飾文化共同研究拠点、文化ファッション研究機構、文化女子大学 | ||||||
その他の寄与者 | ||||||
文化女子大学服装学部 | ||||||
その他の寄与者 | ||||||
レナウン(株), 服飾文化共同研究拠点、文化ファッション研究機構、文化女子大学 | ||||||
その他の寄与者 | ||||||
文化女子大学服装学部 | ||||||
その他の寄与者 | ||||||
信州大学繊維学部, 服飾文化共同研究拠点、文化ファッション研究機構、文化女子大学 | ||||||
その他の寄与者 | ||||||
Faculty of Textile Science & Technology, Shinshu University, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Women’s University | ||||||
その他の寄与者 | ||||||
Faculty of Fashion Science, Bunka Women’s University | ||||||
その他の寄与者 | ||||||
Renown Incorporated, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Women’s University | ||||||
その他の寄与者 | ||||||
Faculty of Fashion Science, Bunka Women’s University | ||||||
その他の寄与者 | ||||||
Faculty of Textile Science & Technology, Shinshu University, Joint Research Center for Fashion and Clothing Culture, Bunka Fashion Research Institute, Bunka Women’s University |